Darcy Smittenaar
Professor
Clayton
EN224P
March 13, 2013
Reviving a Trend
With Batman: The Dark Knight Returns,
Frank Miller is said to have “developing the trend for grim and gritty
superhero comics” by taking Batman back to the “character's original dark roots”
(Round 418). However, what Miller’s work
really did was kick off the “Iron Age” of superhero comics, in which the heroes
of comics’ “Bronze Age” went from the original concept—dating back to the
“Golden Age” during World War II—of protecting society either to “formal
participation in the governance of society” or to stop being superheroes
(Coogan 611).
In Miller’s work alone, there are examples of
characters on both ends of the spectrum: Superman, the paragon of
lawful-goodness and acting on behalf of the President of the United States of
America, tries to convince Batman to give up his obsessive, vigilante
ways. Batman, thinking Superman a
sell-out, instead falls further into vigilantism and criminality, believing
that it is the only way to save Gotham city from itself (Miller 188-196). In this confrontation, Batman “dies,” and
becomes the leader of the former Mutants who now call themselves the Sons of
Batman; Batman himself is no longer a superhero, but a villain to Gotham. The Iron Age is full of such examples, all
influenced by Miller’s work.
Bibliography
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Duncan, Lauren E., and Bill E. Peterson.
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Virtual Reference Library. Web. 13 Mar. 2013.
Eaton, Lance. "Dark Horse Comics." Encyclopedia
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Miller, Frank, Klaus Janson, Lynn Varley, John
Costanza, and Bob Kane. Batman: The Dark Knight Returns. New York, NY: DC
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res, Jackson Ay. "Batman." Encyclopedia
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Round, Julia. "Miller, Frank
(1957-)." Encyclopedia of Comic Books and Graphic Novels. Ed. M.
Keith Booker. Vol. 2. Santa Barbara, CA: Greenwood Press, 2010. 418-419. Gale
Virtual Reference Library. Web. 12 Mar. 2013.
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